This page presents the complete body of work exhibited in my debut solo exhibition, Limerence Reverie, Variations on Grief, presented in Houston in the summer of 2026.

The works are presented in sequence, beginning with Defibrillation and ending with Erasure. Together, they trace the shifting states of consciousness that accompany grief its repetitions, distortions, interruptions, memories, and attempts at reconstruction.

Rather than following a linear narrative, Limerence Reverie moves through fragments, temporal distortions, visual echoes, and variations on absence. Each work exists as an individual image, while also becoming part of a larger emotional and visual vocabulary.

Limerence Reverie is a collection of images created through a range of photographic and camera-less image-making processes. The project moves between 4×5 large-format photography, 35mm, and medium-format 120 film, while also incorporating alternative processes such as lumens, photograms, and phototransfers made with a UV box. Each image is shaped by a different relationship between light, time, material, and exposure sometimes through the camera, and sometimes without one. These variations in process are an essential part of the project, allowing the images to carry the physical traces of their making and creating a visual language that shifts between the photographic, the handmade, and the ephemeral.

Here, the works are presented as they appeared in the exhibition, from beginning to end.