My work investigates how identity is constructed and destabilized through memory, loss, and inherited narratives of womanhood. Through analog and experimental processes: mordançage, lumen prints, film soup, and image transfer. I physically alter photographic materials, allowing images to erode, fracture, and re-emerge. This material instability mirrors emotional states shaped by grief, limerence, and the dissolution of family structures.

In Limerence Reverie, I examine obsession and temporal distortion through self-portraiture and symbolic still life, incorporating foraged elements such as shells, fossils, and organic matter. These objects function as emotional artifacts; evidence of attachment, rupture, and survival. In Everyone in Florida Has a Pool, I explore the tension between idealized domestic life and lived experience, using personal and vernacular imagery to question inherited myths of marriage, femininity, and belonging.

My practice positions photography as both witness and participant, an unstable surface where images are not fixed but continuously negotiated. By embracing degradation and transformation, I seek to create a visual language that does not resolve grief, but sustains it. Offering a space where identity can shift, endure, and be reimagined.